I am an art historian and have been engaged with India for over 40 years. Among other topics, I write about the Rajput courts in Rajasthan – especially Jaipur and Jodhpur – and about the Mughal cities of Delhi and Agra. I taught courses on these subjects at the University of London (at SOAS) in the 1990s. Since 2004 I have been living in India, where I work with museum trusts and with travel companies. Before the pandemic, I lectured regularly to tour groups visiting sites like the Taj Mahal, my aim being to bring the insights provided by expert research to a wider audience.
It really is ‘complete’ as it claims: this is the most thorough and authoritative account of the design and construction of India’s most famous building. Underpinned by robust scholarship, the story is engagingly told and wonderfully illustrated with many photographs and diagrams. The author visually reconstructs the larger (now lost) series of riverside gardens in Agra, and explains how the Taj Mahal fitted into this unique built environment.
Leads the reader through the whole complex and gardens of the Taj Mahal, illustrated by hundreds of new photographs and drawings and with an in-depth explanation of each building. This encounter is framed by a complete account of the mausoleum's urban setting, its design and construction, its symbolic meaning, and its history up to the present day, with the result that the most familiar image in the world is suddenly endowed with new significance and added wonder.
Published to coincide with an exhibition held at the Los Angeles County Museum of Art back in 1989, this book still offers one of the best introductions to the cultural world of the Taj Mahal. Written by the curators at LACMA, the various chapters place the design of the tomb in the wider context of the decorative arts of Mughal India and show how it has also inspired later artists around the world.
This is an anthology of all of the written sources on the Taj Mahal from the period of its construction in the 17th century. It brings together translations of every description or mention of the building in Mughal court histories, or accounts by foreign travellers, and explains all of the historical and religious inscriptions that are written on the building itself. The book is meant for the serious student and lacks narrative flow; but the focus exclusively on written sources dating from the same time as the Taj really helps you understand it in its own time.
This slim but well illustrated book gives an account of archaeological excavations that the author and others carried out in the mid-1990s. They unearthed the large but previously lost garden called the Mehtab Bagh on the far bank of the River Yamuna, facing the Taj Mahal. In so doing they debunked the long-standing myth about Shah Jahan’s plans to build a black replica Taj on that spot and showed instead what the real original garden scheme was like. Fascinatingly told, the story fully lives up to the claim to reveal ‘new discoveries’.
For 350 years, the Taj Mahal in Agra has reigned luminous and splendid as perhaps the most admired monument in the world. Visitors who gazed across the Yamuna River from the Taj pavilions have viewed what appears to be little more than farmers' fields and barren ground. But historical references as well as paintings from the time of Shahjahan (r. 1628-58) reveal that it was once densely covered by rectangular walled enclosures and lush vegetation. The Mughal emperor Babur built gardens here as a way of evoking the characteristic delights of the homeland he had abandoned when he moved from…
This is a survey of all Mughal architecture, in which only a few pages are devoted to the Taj Mahal directly, but for anyone who wants to understand the Taj not as something unique and inexplicable, but as a logical part of a longer tradition of design, this book is essential reading. While there are other surveys of Mughal architecture on offer, a major strength of this one is the author’s inclusion of many minor and provincial buildings that provide a wider context for the famous stand-out masterpieces like the Taj.
In Architecture of Mughal India Catherine Asher presents the first comprehensive study of Mughal architectural achievements. The work is lavishly illustrated and will be widely read by students and specialists of South Asian history and architecture as well as by anyone interested in the magnificent buildings of the Mughal empire.
The Taj Mahal is the queen of architecture. Other buildings may be as famous but no other has been so consistently admired for a beauty that is seen as both feminine and regal. Imperial tomb, symbol of India, symbol of love, or brand of tea – the Taj can be what you want it to be. Drawing on a huge range of sources from Mughal court histories to travellers’ accounts and Bollywood movies, this superb book gives its history and charts its multiple and changing meanings through time.
As an American widow flush with cash, she has hopes of finding the burning, passionate love she never experienced in her marriage. But instead, she found The Ladies Alpine Society, and is now pressed into planning a fundraising ball with the expedition’s accountant, Leo Moon. Prudence feels out of her depth, but glad to have a partner-in-crime to help her navigate British culture. But the taciturn Mr. Moon doesn’t like her—or does he like her too much?
Prudence Cabot sailed to Europe to find a lover.. As an American widow flush with cash, she has hopes of finding the burning, passionate love she never experienced in her marriage. But instead, she found The Ladies Alpine Society, and is now pressed into planning a fundraising ball with the expedition’s accountant, Leo Moon. Prudence feels out of her depth, but glad to have a partner-in-crime to help her navigate British culture. But the taciturn Mr. Moon doesn’t like her—or does he like her too much?. One look and she saw right through him.. Leo Moon is not his real…
